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Channel: Joshua Hoffine | Behind The Scenes
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Feb 9 12:52 PM

Comment: A big fan! :)

Hello Joshua,

My name is Jenna Lambert and I am currently in my final year of university studying Graphic Art and Design. Your horror photography has inspired me for my own project ‘Horror-Tales’, which also looks into the psychological fears within children and adults. I have been very fond of your photography work for a while now, I admire your focus on the practical effects within your imagery rather than an all digital format, the results are much more interesting. I would really appreciate it if you could answer a few questions in relation to your work and mine. I understand you are extremely busy, but if you are unable to answer them all, even just a few would be fantastic. Thanks again. :)

Feb 9 1:12 PM

Graduating with a B.A. in English Literature, how did you come to discover an interest in photography?

I love movies.  I was interested in going to film school as a graduate student.  Circumstances didn’t allow for it.  I began taking pictures instead. First with a polaroid camera, but soon with an SLR camera, processing film and making prints in a dark room.  My interest in movies and film making was eventually channeled into my work as a mature photographer.

. You’ve worked along side Nick Vedros, who is involved in commercial and advertising photography, would you say this opportunity helped you grow as a photographer?

Better than photography school.

. My Idea for my ‘Horror-Tales’ project came from my love for theatrical make up and horror films, what inspired you to create your projects?

Many things: horror movies, a love for special effects, my interest in psychology, fairy tales, a desire to do something with my children, etc.

. In an interview with Guardian UK in 2013, you stated, ‘My role as a horror photographer is to show people what they don’t want to see’. Can you elaborate on this?

Horror as an art form is about attraction/repulsion.  I’m not the viewer’s friend.  I’m not taking requests.  I did not come to soothe them.  In the end, I’m out to get them.

. Why do you choose to act out your shoots, using actors rather than using a straight forward digital process?

I don’t know how to do it digitally.  I’m a photographer.

. How long do you spend creating the set, costume and props?

Months.

. Your photography shows a wide selection of fears, fear of dark, monsters, the unknown. How do you keep this interesting for the audience?

By keeping it interesting for me.

. I have a fascination with horror, I love being scared! What are you scared of?

Nearly everything.

. You use family and friends in your work, how do they feel about the process, do they take their role seriously?

I treat the work seriously, so they do too.

. My favourite image of yours is ‘Bed’, the props used were amazing! How did you construct the monster hands?

Hands from a Creature Reacher costume purchased 1/2 price the day after Halloween.

. Talking about fears, I’m terrified of zombies, how would you recommend I incorporate this into my own work?

Your choice.  In staged photography, decision is the art.

Like yourself, I am self taught and still learning.  Do you have any advice as a photographer?

Assist or intern with a commercial studio if possible.  Shoot weddings.  Weddings are like photography bootcamp.  There are no shortcuts.  Experience is simply clocking in the man-hours.  Push yourself constantly.  It’s the only way you’ll get better. 

Best of luck on your project, Jenna!

Joshua



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